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- <text id=94TT1278>
- <title>
- Sep. 19, 1994: Books:Beguiling Outlaw Lies
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Sep. 19, 1994 So Young to Kill, So Young to Die
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/BOOKS, Page 82
- Beguiling Outlaw Lies
- </hdr>
- <body>
- <p> Larry McMurtry co-writes a novel about Pretty Boy Floyd
- </p>
- <p>By John Skow
- </p>
- <p> Larry McMurtry's splendid horse opera Lonesome Dove was a marvel
- of nostalgic bosh, and that same rare gift for making heroic
- tales from small-town street sweepings is on view in his new
- novel. Pretty Boy Floyd (Simon & Schuster; 444 pages; $24),
- written with McMurtry's screenwriting partner, Diana Ossana,
- is a lesser story, loosely tethered to the life and death of
- the renowned badman Charles Arthur Floyd (1904-34). But like
- Lonesome Dove, it beguiles the reader with a golden haze of
- lovely lies.
- </p>
- <p> The setting is the deep Midwest--rural Oklahoma and Kansas,
- mostly--in the period before and during the Great Depression.
- The lies are rascally old friends: that bandits are decent,
- doomed boys; that bullets don't really hurt; and, of course,
- that whores have hearts of gold. Charley Floyd has served four
- years in the Jefferson City, Missouri, lockup for robbing an
- armored car, but his career really gets going when he and a
- rodeo cowboy named George Birdwell both try, by storyteller's
- coincidence, to rob the Earlsboro, Oklahoma, bank at the same
- time. Meeting cute is what Hollywood calls this: "`Sir, I was
- here first--had my gun out before you even got to the teller's
- window,' the cowboy pointed out. `That was 'cause I was polite
- and held the door for you,' Charley reminded him."
- </p>
- <p> Somehow the authors get us to swallow this nonsense. Floyd and
- Birdwell team up, naturally, and become regional Robin Hoods.
- There isn't much to the story--flivvers and floozies, irate
- wives and an occasional perforated lawman, plus a misty death
- scene for each of the heroes. The novel's true subject, to the
- lighthearted extent that it has one, is mythology itself. With
- the headline-hungry FBI boss J. Edgar Hoover promoting Floyd
- to No. 2 and then No. 1 on his new invention, the Most Wanted
- List, Charley's life becomes a legend before he is finished
- living it.
- </p>
- </body>
- </article>
- </text>
-
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